Thorbjørn Tønder Hansen er stoppet som leder af SNYK. Ved overgangen til sit nye job som kunstnerisk leder af Ultima Festival i Norge gør han status over 10 års politisk og praktisk arbejde på tværs af musikmiljøerne herhjemme.
Andreo Michaelo Mielczarek anmelder Olga Szymulas electro-opera 'Lapses', Rytmisk Sal, Musikhuset Aarhus, 26. november 2017
I anledning af, at Komponist Birgitte Alsted har modtaget Carl Nielsen og Anne Marie Carl-Nielsens Legat, har Seismograf talt med hende om hendes musik og karriere, om improvisationen som grundlæggende kompositorisk tilgang til lydenes verden og den digitale teknologis rolle i hendes musik.
Anmeldelse af Neue Vocalsolisten Stuttgart (3.11.17, Koncertkirken) & Copenhagen Piano Trio etcetera (8.11.17, Glyptoteket) under Gong Tomorrow Festival 2017
Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.