How to (Re) Do(o) Things with Sounds
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.
'A Sonic Time Capsule – a small instruction manual explaining how to realize such a thing' by Andrea Zarza Canova.
Lasse D. Hansen rapporterer fra konferencen 'Young People, Composing and Contemporary Music' i London.
Reportage fra Ultima Festival 2017 og interview med afgående festivalleder Lars Petter Hagen.