Let's Sing About the Cycle
It is a successful EP with a clear sense of purpose: the strong textual foundation establishes a distinct compositional direction without digressions
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It is a successful EP with a clear sense of purpose: the strong textual foundation establishes a distinct compositional direction without digressions
Nevertheless, »Vildnis« emerges as a cohesive and engaging experience, despite the unpredictability of the experiment
But yes, you missed out. Especially on young Albert Laubel, who did exactly what you hope someone will do at this kind of concert: suddenly step forward, make a mark, and promise something for the future
TAK Ensemble once again demonstrates its remarkable sensitivity to the materiality of sound, inviting listeners to move beyond the often harsh surface of the present – and, perhaps, to breathe more freely again
Yet Barwick’s cinematic whistling and Lattimore’s harp arpeggios still found a glimmer of light within the dystopian darkness
Even the most brutal sounds in Laura Bowlers »The White Book« possessed a refined and disarming fragility
Vanessa Amara got stuck in therapeutic deep house, while Soli City arrived at Beboerhuset with an overflow of chopped-up hyperpop aesthetics and melancholic spoken-word
One wishes Squarepusher had either ventured further into the orchestral realm or trusted more in what he actually excels at, giving the electronics freer rein
Laurie Anderson and Sexmob fused slideshow, music, and political reflection in a dry, playful, and surprisingly hopeful concert at DR Koncerthuset.
»Music for Intersecting Planes« holds something far more porous and open than Malone and Bordreuil’s earlier works
In the end, one is left with the feeling of having attended a lecture rather than an opera. My final note before the curtain fell: Will this be on the test?
Manchester Collective let longing, rupture and beauty seep through contemporary British music
A light – and perhaps somewhat cheap – dish, but who has the energy for more after four weeks of campaigning?
Before you know it, an hour has passed in which Vestergård, Sandberg, and ÆTLA have slipped poetry, madrigals, and new vocal music down the throat of a young audience. It can actually be quite fun!
It seemed as if this important project succeeded with its co-creation and its conversations, but perhaps not entirely with its artistic expression
Considered as a documentary film, »Takkuuk« is fragmentary, chaotic and directionless, which is a shame, because the young musicians seem to have much more to offer
Katrine Philp’s documentary »A Classical Life« is therefore warmly recommended – not only to parents of musically inclined children, but to anyone interested in music
French electronic musician Rone attempts to talk to whales through music in a touching, but also a bit sentimental documentary
I was both entertained and intrigued along the way. As an experiment, the idea is strong – but in the long run also a bit too insistent for me to return to often
I gave up and instead allowed myself, hypocritically, to be intoxicated and seduced
At Alice, Abul Mogard let tones open their inner life through slowly shifting drone passages
The painful struggle of birth, despite the choir’s insistent chanting, never truly becomes mine
Both performances revolved around Iranian heritage. Not a heritage that necessarily needs to be understood, but one that appears as a mosaic of contradictions
Afstanden mellem insekterne og en selv gik i opløsning i et dirrende drømmebillede. Så var det pludselig lige meget, om der er liv på Mars
The composition was created in 2022 – before the current war in Gaza – but on this evening, with her immense voice and intense presence, she adds yet another verse to the endless song