I Am an Empty High-rise, Where the Pain Sits in Every Wall
It seemed as if this important project succeeded with its co-creation and its conversations, but perhaps not entirely with its artistic expression
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It seemed as if this important project succeeded with its co-creation and its conversations, but perhaps not entirely with its artistic expression
Considered as a documentary film, »Takkuuk« is fragmentary, chaotic and directionless, which is a shame, because the young musicians seem to have much more to offer
Katrine Philp’s documentary »A Classical Life« is therefore warmly recommended – not only to parents of musically inclined children, but to anyone interested in music
French electronic musician Rone attempts to talk to whales through music in a touching, but also a bit sentimental documentary
I was both entertained and intrigued along the way. As an experiment, the idea is strong – but in the long run also a bit too insistent for me to return to often
I gave up and instead allowed myself, hypocritically, to be intoxicated and seduced
At Alice, Abul Mogard let tones open their inner life through slowly shifting drone passages
The painful struggle of birth, despite the choir’s insistent chanting, never truly becomes mine
Both performances revolved around Iranian heritage. Not a heritage that necessarily needs to be understood, but one that appears as a mosaic of contradictions
Afstanden mellem insekterne og en selv gik i opløsning i et dirrende drømmebillede. Så var det pludselig lige meget, om der er liv på Mars
The composition was created in 2022 – before the current war in Gaza – but on this evening, with her immense voice and intense presence, she adds yet another verse to the endless song
At Phono, Laugesen sang – yes, sang – the prose of life across a wall of sound. His voice cut in between the rumbling bass and the grit of the snare drum
It is a testament to grief as lived experience, and as an archival bulwark, »Karakoz« thus takes part in the struggle for a free Palestine.
In a short space of time, »Miniatures« has become a favored sonic space for this reviewer when there is a need to retreat into the chambers of the mind
Bent Sørensen’s »12 Nocturnes« unfold the night’s intimate piano poetry, while the piano concerto breaks the spell.
»Light« is the perfect distillation of Mikkelborg’s musical life – a cavalcade of the qualities that have always defined him as a musician: light, colour, life, mysticism, love.
Some might have wished for a gentler entry into the musical year 2026 than a concert with Merzbow, but the concert underscored the ambitions Radar is currently pursuing.
»Crooked, meandering passages and bubbling harmonies that only just brushed against a peculiar sense of tempo.«
»Kirstine Fogh Vindelev’s discreet soundscape for the power performance Animal provides much-needed breathing room in Alexandra Moltke Johansen’s dense text.«
Gently lapping, quiveringly simple, and almost self-effacingly discreet.
»Phantom Orchestra« is a dazzling, slightly mad experiment, driven by a will to create harmony in chaos.
»ELECTRIO aim to renew 'Stabat Mater' with guitar, electronics and baroque threads, but the result is too neat, too familiar, and far too painless.«
It’s a fascinating project, but what about the music? It’s a mixed experience.
Although »From Grimsby to Milan« contains a wealth of fine detail, the journey – from Grimsby in Canada to Milan in Ohio – ultimately feels long and monotonous.
»'Where to From' is a powerfully mood-saturated work that moves effortlessly between chamber music and neoclassicism.«