
Jamen så gør vi det bare!
»Med få, velvalgte virkemidler formidler Borregaard på smukkeste vis en fortælling om kærlighed og tab, om tosomhed og ensomhed.«
»Med få, velvalgte virkemidler formidler Borregaard på smukkeste vis en fortælling om kærlighed og tab, om tosomhed og ensomhed.«
Synthetic voice creation as the promotion of diversity.
Postcolonial reflections through soundwalk production.
Editing and listening to field recordings as methods in postcolonial history writing.
Decolonization and the creation of dialogical narratives.
Collaborative improvisation as a creative point of departure for studio production.
Critical examination of piano music through a psychological understanding of the act of performing.
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.
Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.
Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.