Peer-reviewed audio paper
Origo
This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.
Peer-reviewed article
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.
Peer-reviewed audio paper
How to (Re) Do(o) Things with Sounds
In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.
Peer-reviewed audio paper
Collisions
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
Peer-reviewed article
Turntable Materialities
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
Peer-reviewed article
Tears, Fears and Flashes
Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.
Peer-reviewed article
The Im/mediate Noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
Peer-reviewed article
A Temple of Sonic Haecceities
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
Peer-reviewed article
Beyond Matter: Object-disoriented Sound Art
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
Peer-reviewed audio paper
Listening and not listening to voices
This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.
kritik
12 timer på G((o))ng Tomorrow
Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.
essay
A sonic time capsule
'A Sonic Time Capsule – a small instruction manual explaining how to realize such a thing' by Andrea Zarza Canova.