AI er blevet mainstream – men hvad skal kunstnerne bruge AI til? Den banebrydende canadiske kunstner Erin Gee, som i årevis har arbejdet i det soniske felt mellem algoritmer og emotioner, har nogle svar.
The essay probes poetics and the politics of a life-affirming operation in which Ukrainians have been self-engaged to resist subjugation and assimilation under Russian colonialism.
»I Koncertkirken på Nørrebro er december blevet en helt særlig slags fest med orglet som hovedperson.«
Bag de bedste udgivelser i 2023 stod som regel en elektronisk komponist. I hvert fald hvis man spørger mig, og det gjorde Seismograf i år.
»De unge lydkunstnere får i disse dage meget mere klangfølsomhed frem med deres hjemmebyggede orgler i Koncertkirken, end mange musikere kan producere med en klavertangent.«
This audio paper narrates through the experiences and ambiences of Russian aggression to which Ukrainians relate a long history of Russia’s imperial statehood.
Democratic conversation and collectively improvised music have such pronounced similarities that improvisations can be discussed in terms of their democratic potentiality.
The sound of the slogans at the demonstrations touches the body, it is impossible to hide from. The vulnerability revealed through this touch creates immediate affective responses pointing at the limitations of sonic support and solidarization.
This article researches the role of the Human body in the production of sound art in the exhibition space. It focuses on the spatial path between body and sound in the exhibition space of sound art.
Operating rooms are typically noise filled environments, where polyrhythms and polyphonics of human and non-human sounds collide. In this paper the operating room soundscape is used for relational ethnographic exploration, framed in critical affect theory, and brings together insights from medical sociology and sound studies.
In the audio-paper »Fear of Weakness: Songs to Agitate the Man«, artist Morten Poulsen builds on his project »Boys Will Be…« (2022), in which he met with young cis-men to have conversations about vulnerability, intimacy and masculine norms
Following Ruiz and Vourloumis, this audio paper performance sounds a formless formation, exploring integrity and wholeness among Black and Indigenous collectives that organize via radical forms of togetherness outside state-sponsored institution